Tuesday, November 8, 2011

November 13

The Theater of Hope


Mark 11:1-11, 15-19
As they approached Jerusalem and came to Bethphage and Bethany at the Mount of Olives, Jesus sent off two of the disciples with this instruction: “Go to the village straight ahead of you, and as soon as you enter it you will find tethered there a colt on which no one has ridden. Untie it and bring it back. If anyone says to you, ‘Why are you doing that?’ Say, ‘The Rabbi needs it, but will send it back very soon.’ ” So they went off, and finding a colt tethered out on the street near a gate, they untied it.  Some of the bystanders said to them, “what do you mean by untying that colt?”  They answered as Jesus had told them to, and the people let them take it. They brought the colt to Jesus and threw their cloaks across its back, and he sat on it. 8 Many people spread their cloaks on the road, while others spread leafy branches which they had cut from the fields. And everyone around Jesus, in front or in back of him, cried out, “Hosanna! Blessed is the one who comes in the name of our God!  Blessed is the coming reign of our ancestor David! Hosanna in the highest!”  Jesus entered Jerusalem and went into the Temple precincts. He inspected everything there, but since it was already late in the afternoon, He went out to Bethany accompanied by the twelve.

Then they went on to Jerusalem. Jesus entered the Temple and began driving out those engaged in selling and buying. He overturned the money changers’ tables and the stalls of those selling doves; moreover, he would not permit anyone to carry goods through the Temple area. Then he began to teach them: “Doesn’t scripture say, ‘My house will be called a house of prayer for all the peoples’?  but you have turned it into a den of thieves!” The chief priests and the religious scholars heard about this and began looking for a way to destroy him. At the same time, they were fearful because the whole crowd was under the spell of his teaching. When evening came, Jesus and the disciples went out of the city.          

                I know that we revisit these events every year at Palm Sunday. My hope is that an off-season exploration can help us see the event s differently, sans the layers of celebration and adulation. When the gospel of Mark was written, the liturgical year was not yet set, and the annual observations of Palm Sunday and Easter were years from being established. The authors of Mark’s gospel included these events not only because of their historical importance in telling the story of Jesus’ life, but also because they are integral to telling the story of bringing about the Kin-dom of God in this world.
                A note here on bibliography. Marcus Borg gives a compelling but brief overview of these events int eh book we have been using, “Conversations with Scripture.” But the definitive and comprehensive consideration of the this material in Mark is “The Last Week” by Marcus Borg and John Dominic Crossan. Written in response to the erroneous and theologically-bereft movie, “The Passion of the Christ,” the book examines in detail chapters 11-16 of Mark’s gospel. These chapters walk through the events of the last week of Jesus’ life day by day. Borg and Crossan show that the Gospel fo Mark tells a radically different story than did Mel Gibson. Theirs is the landmark commentary for this material, in my opinion. While we are going to be brief in our consideration of this material, I heartily recommend “The Last Week” for everyone to read.
                The first episode is best known as “The Triumphal Entry.” On Palm Sunday, the Church uses this event to greet Jesus as the King of Kings with loud “hosannas” and waving palm branches. (Interestingly enough, no account of Jesus’ entry into Jerusalem mentions palm branches at all.) Hymns like “All Glory, Laud and Honor” are sung as if Jesus really paraded into Jerusalem actually wanting to be proclaimed as the king of Israel. But a lot more is going here than we learned in Sunday school.
                Sometimes we tend to read these stories with the idea that first they did this, and they went and id that, and then another thing happened. But a close reading shows us that something completely different from happenstance is taking place. The “triumphal entry” is the farthest thing from an incidental occurrence. Borg tells us, “Jesus has made elaborate pre-arrangements. His riding into the city on a colt is not incidental or accidental, but deliberate and intentional. As my mentor George Caird wrote over forty years ago, this is a pre-planned public demonstration.” (CWS p. 91)  This is public theater. In today’s parlance, this is a Jesus led flash mob.
                That being said, this is no mere moment of entertainment. Jesus is using the public arena to say something. This is a parable in action.  Remember that at the beginning of the gospel Jesus comes not to proclaim himself, but to proclaim the advent of the Kin-dom of God. And that is precisely what Jesus is doing in this piece of political theater, proclaiming the nature of God’s Kin-dom.
                The content of the drama comes from traditions of the Prophets, specifically from a reference in the book of Zechariah:
   “Look! Your ruler comes to you:
    victorious and triumphant,
    humble, riding on a donkey,
    on a colt, the foal of a donkey.
    The ruler will banish chariots from Ephraim
    and horses from Jerusalem;
    the bow will be banished.
    The ruler will proclaim peace for the nations;
    the empire stretching from sea to sea,
    from the River to the ends of the earth. (Zech. 9:9-10)

Jews in Jerusalem would likely have recognized the reference when they saw Jesus riding into the city on a donkey. Certainly the well-trained religious scholars would have made the connection. Jesus rides into Jerusalem under the nose of the Roman garrison proclaiming a radical kind of peace. The Kin-dom of God is the kin-dom of peace. It is an image of the present world in Jesus’ time turned upside down. And remember that the gospel was written in an intensified time of strife with the Roman Empire. Jesus’ political action took on additional import in Mark’s own day. Jesus’ political action was a visible attempt at Reconstructing the Hope that he world really could change for the better.
                Borg spells this out: “As a political symbolic act, it was both protest and affirmation. As protest, it was an anti-Roman act for Rome was the empire that ruled the land with the instruments of war. As affirmation, it symbolized a different vision of life on earth: the kingdom of God of which Jesus spoke, and which his followers heralded as he rode into the city. That kingdom is about peace and non-violence—not just internal peace, but the alternative to domination systems imposed by violence and the threat of violence.” (CWS, p. 91)

                The next day, as Mark tells it, Jesus’ altercation with the money-changers in the Temple has about it the same air of theater. After driving the people out of the Temple forecourt, the statement that Jesus makes again references the Prophets.  In verse 17 Jesus says: “Doesn’t scripture say, ‘My house will be called a house of prayer for all the peoples’?  but you have turned it into a den of thieves!” Borg tells us that the first phrase comes from Isaiah. The second phrase comes from Jeremiah. In Jeremiah 7:11 the Temple is described as a den of robbers because of the violence done to the people under the hypocritical shadow of Temple worship. Jesus uses the phrase to decry the collaboration between the Temple and Rome. It is not an accusation against the money-changers or dove-sellers. (CWS p. 94)
                Every day of that last week, Jesus led his followers into Jerusalem and publically acted out the faith he was teaching. And precisely here is where I believe Jesus’ teaching is different from most other wisdom traditions. Like those other traditions Jesus taught about an internal transformation, a new birth of the heart and spirit. But he also taught that the world in which we lived could also be transformed. The external reality in which we live and move and have our being is also the reality in which the Spirit of God is at work. In Jerusalem, Jesus takes all of the teaching, parables, and prayers into the public streets and puts them on display. In many ways, it was these public displays that set in motion the machinations that led to Jesus’ execution.
                Nonetheless, we have to realize that one of the answers to the overused question, “WWJD?” is that Jesus takes it to the streets. Which is why we as Jesus’ 21st century followers have a difficult case to make when we want our religion to be personal but not political. To follow Jesus’ own example means that we have to tend to both our internal growth and transformation  and to participate in the external, political evolution of God’s Kin-dom in our complicated political world. We are called to live a life of piety and prayer but just as much we are called to live that faith in the public arena. A retreat center in Pennsylvania sums it up succinctly: Picket and Pray.
                This is the public discourse that embodies the idea of “Reconstructing Hope.” Mark’s gospel was written in the middle of a war which was devastating the life especially of the peasants (doesn’t war always do that?). The authors of Mark’s gospel believed that the story of Jesus made a different, more likely they thought it made all the difference. It was for them the preeminent example that it was not military might or power or money that could change the world. That change would come from the justice and love taught and embodied by Jesus. They proposed that hope was not dead. But a hope based on overthrowing an occupying army by military might was shattered. Hope that strength could overcome strength was vanquished.  Hope in a messiah who could outwit and overpower Israel’s enemies was crucified. Hope needed to be reconstructed. Jesus’ public actions in the last week of his life were the beginning of that reconstruction. That is why Mark included them so dramatically in this gospel.
SCUCC has had a dynamic history with this kind of public, hopeful reconstruction. The Walk was this kind of in-world action. In the 1960’s, the call for integration and civil rights was also of this ilk. The concept of finding God in culture is an affirmation of living our faith in that same culture. This Sunday's Crop Walk is itself part fund-raiser, part public symbol of hope and solidarity.
                I can envision drawing a comparison between a contemporary flash mob event and what Jesus did. Maybe we can create our own flash mob for Sunday morning! Certainly the flash mob at Chik-Fil-A that Brad Wishon participated in comes to mind. Occupy Wall Street and its permutations are an ongoing public theater event. These scriptures invite and challenge us to take our faith to the people and to the streets. The window which is our anchor image reminds us to look at the world the way God does. The heart of that concept is that God is looking at the world. Hopefully, God will see us out there, too.

Anchor:  The window through which we see the world as God does.
Frame: following Christ takes us into the world where we work for its transformation
Thread: Let Me Be Your Servant? though Reconstructing Hope really comes into play here

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