Series Title: JEDIS AND DISCIPLES: the hero’s journey
Anchor: JEDIS AND DISCIPLES: the hero’s journey
Thread: clips from Star Wars
June 3 -Wk#1 – introduction to myth; entertaining the inner life;
Anchor: JEDIS AND DISCIPLES: the hero’s journey
Thread: clips from Star Wars
June 3 -Wk#1 – introduction to myth; entertaining the inner life;
1 Corinthians 1:18-25
For the message about the cross is foolishness to those who are
perishing, but to us who are being saved it is the power of God. For it is
written,
‘I will destroy the wisdom of the wise,
and the discernment of
the discerning I will thwart.’
Where is the one who is wise? Where is the scribe? Where is the
debater of this age? Has not God made foolish the wisdom of the world? For
since, in the wisdom of God, the world did not know God through wisdom, God
decided, through the foolishness of our proclamation, to save those who
believe. For Jews demand signs and Greeks desire wisdom, but we proclaim Christ
crucified, a stumbling-block to Jews and foolishness to Gentiles, but to those
who are the called, both Jews and Greeks, Christ the power of God and the
wisdom of God. For God’s foolishness is wiser than human wisdom, and God’s
weakness is stronger than human strength.
Joseph Campbell, Star Wars, and Jesus Christ: this is the cast of
players in our upcoming drama. Campbell’s deep sensitivity to the genre and
function of myth comes as a deep challenge to traditional modes of operating.
Interestingly enough, Campbell (who died in 1987) foretold much of the Great
Emergence and transformation that Diana Butler Bass, Phyllis Tickle, and other
are now proclaiming. Campbell said: “We live in a period of the terminal
moraine of mythology… Mythologies that built civilization and are no longer
working that way are in rubble all around us.” He also clarifies the Creation
vs. Evolution” debate as succinctly as anyone I’ve come across: “Myth has to deal with the cosmology of today
and it’s no good when it is based on a cosmology that is out of date. Religion
has to accept the science of the day and penetrate it to the mystery. The conflict
is between the science of 2000 B.C. and the science of 2000 A.D.”
So our task is to discover and engage today’s mythology. And our
particular task in the studio (and I think the great challenge of this series)
is to move this past an intellectual exercise into something visceral and
experiential. So maybe our underlying question for this series is, “How to we
experience the transformative and sustaining power of myth?” Campbell again
posits this in a compelling way: “God is the metaphor (myth) for a mystery that
absolutely transcends all human categories of thought, even the categories of
being and non-being.” He goes on to say that the myth that is essential and
functional is the one that puts you in touch with the mystery that is the
ground of your being.
Human beings have been story-tellers likely from the time we
developed language (maybe it was the desire to tell our stories that drove us
to develop language?). I don’t know what those first stories were, but I
suspect they were more than just an attempt to report on the latest hunt. Those
stories might have been an attempt to express the gratitude of having meat to
eat, or the escape from a predator, or the mysterious connection to some
greater Spirit. The images so artfully drawn on the walls of ancient caves
convey a desire engage those essential metaphors of life.
An insane twist has occurred in recent generations, though. Somehow
we have lost the appreciation of myth and storytelling. To be direct, our
society considers myths to be lies, untruths, flights of fancy. We instruct our
imaginative children to stop telling ‘stories’, by which we mean lies.
We have forgotten that telling these stories, living in dynamic
myths, is how we make sense of life and connect ourselves to the electric
mystery that is life. The stories of the Exodus, the Exile, and Jesus’ death
and resurrection are exactly these kind of stories. The challenge of our day is
whether the story of the cross and the empty tomb still connect us to the
Mystery, or if they need to be recast and retold, or if their cosmology is too
outdated to speak essentially anymore.
The apostle Paul lived in the same kind of time, and he was
telling a new story. Living in an age of rampant death, the ever-present Roman
Empire, and an oddly cosmopolitan mixing of cultures he offers a symbol of
agonizing death as a metaphor of vibrant life. At face value, this makes no
sense at all. The cross was a tool of torture, intimidation and oppression. How
could the cross be a metaphor of life? Yet that is exactly what Paul and other
Christians experienced. He told a new story for a changing age.
In many ways (though not with the pervasive depth of the gospels),
George Lucas told a story that captured the imagination of the late 20th
century. Star Wars has become part of our cultural vocabulary, even for those
who might never have seen the films. The story speaks to our longing to battle
the Empire of our lives (however we encounter that), to discover and claim our
inner power, to find the community that welcomes us and upholds us.
Engaging myth is telling stories, but not just any stories. We are
seeking stories that matter, stories that transform, stories that connect us
with the Mystery and the energy of life. What are the great stories that arise
from our own age and cosmology? Those will be the stories that will become the
gospel of our times.
No comments:
Post a Comment